Have a look at the video on Ayushmann Khurrana’s Instagram here. He has also credited one of his fans for creating the special video. ThIis song Mera Mann is originally from Falak Shabir's album Falak now it is used in Nautanki Saala starring Ayushman Khurana. He stated that he misses this and has been eagerly waiting to get together with his fans, whenever the pandemic comes to an end. Mera Mann Lyrics from Nautanki Saala, sung & composed & written by Falak Shabir. In the caption for the post, Ayushmann Khurrana has mentioned that this is what his gig life looked like. A few parts of the video also show the audience singing along with the artist, proving how popular and loved the song is. La Mera Braza - La radio número 1 de los oyentes. Download Hindi songs online from JioSaavn. Tod Diya Dil Mera Tune, from the album Andaz, was released in the year 1949. In the video, Ayushmann Khurrana was singing his famous romantic number Mera Mann, which was a major chartbuster at the time of its release. Tod Diya Dil Mera Tune is a Hindi language song and is sung by Lata Mangeshkar.
A bunch of gig videos have been put together from different performances and locations, most of which was a major commercial success. The actor recently put up a nostalgic video on Instagram where he was performing live before the pandemic took over the world. Ayushmann Khurrana misses live showsĪyushmann Khurrana is a celebrated young actor who is best known for his realistic acting and mesmerising music. Ayushman Khurrana has mentioned in the caption, how much he misses these gigs and his fans have also flooded the comments section in agreement. He was seen engaging with the audience in the video, as they thoroughly enjoyed his high-voltage performance. In the short video shared, he was seen singing his popular song, Mera Mann, from the movie Nautanki Saala. Bollywood actor Ayushmann Khurrana recently took to social media to share a montage of throwback videos from the time live concerts were one of the most happening sources of entertainment.
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